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Current available jobs in Broadcast:





Broadcast: Media/Video Production
Content Manager, The Star - Dallas Cowboys Football Club (Frisco, TX)

The Content Manager is responsible for managing content on all boards throughout The Star, shooting and editing content that will be updated frequently on the boards at The Star, and managing the building of graphics for the boards at The Star.

Job Duties:

·          Ensure that each video board at The Star has content that is relevant and timely for all events and throughout each day

·          Ensure high school football is promoted prominently

·          Support Cowboys initiatives, promotions and cross promote content on other Cowboys-owned media channels

·          Assist with production for live events in the event center

Qualifications:

·          Minimum of 5 years’ experience producing video content

·          Minimum of 5 years’ experience producing graphics or managing graphics production

·          Experience in sports preferred but not required


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Broadcast: Broadcasting
Multi-Platform Reporter/Host - Indianapolis Colts (Indianapolis, IN)

The Indianapolis Colts seek a dynamic storyteller to fill the Multi-Platform Reporter/Host position. This individual will work alongside the members of the production and digital teams to create content for all Colts properties including TV, web, stadium and commercial production. On any given day this position could require creating a video/written story for digital, hosting an event or producing/anchoring a TV show.

REPORTS TO: Director of Production

ESSENTIAL SKILLS:

  • Strong writer and producer
  • Creative storyteller who finds new and unique ways to showcase the Colts and NFL brand
  • Dynamic host that can engage a live audience in addition to the viewer at home or online
  • Team player who evolves based on feedback and research
  • A digital junkie that posts online content and combs social media for stories
  • The ability to shoot and edit your own stories is a plus

REQUIREMENTS:

  • BA in Broadcast Journalism, or related field, or equivalent work experience
  • Strong oral and written communication skills
  • Minimum three (3) years experience
  • Ability to meet deadlines, prioritize assignments and handle multiple tasks simultaneously
  • Must have a clean driving record
  • Must maintain professional relationship with all clients, fans and co-workers

NO UNSOLICITED PHONE CALLS OR EMAIL WILL BE ACCEPTED


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Broadcast: Media/Video Production
Chief Broadcast Engineer - MetLife Stadium (East Rutherford, NJ)

Job Title: Chief Broadcast Engineer

Department: Broadcast/Media (Facility Management)

Classification: Exempt

Summary:  

Provides video and audio engineering services and broadcast services to MetLife Stadium (MLS).  Provides facilities and services for video and audio replays, team assets, video display and large format LED displays, as well as engineering support to broadcast trucks.  Provides support and maintenance for simultaneous video production of primary event feeds, IPTV video production distribution, web streaming, social networking, and external video presentations.  Maintains and provides audio and visual equipment and systems for tenant needs throughout MLS

Supervises:  

  • Supervises the work of part-time and casual employees consisting of contracted Broadcast Engineers and Audio Visual crew members.

Essential Duties and Responsibilities: include the following, other duties may be assigned.

  • Performs as Engineer in Charge (EIC) for all Broadcast, A/V, and Media Services related to remote production trucks to ensure all signals and data are routed properly.
  • Leads all work coordination and systems engineering as required or dictated by Stadium event schedule;
  • Guides and maintains the integrity and operability of stadium audio and video (AV) distribution channels, infrastructure  and systems within the Stadium;
  • Monitors equipment that may be malfunctioning during broadcasts and implements timely solutions  so that the broadcasts remain uninterrupted; handles emergency repairs during events; Provides proactive engineering maintenance support for all systems to minimize event impact;
  • Supports Teams and third party events in show presentation at the direction of the department manager;
  • Develops engineering solutions to facilitate build out requests to plan and coordinate equipment usage schedules, procedures for equipment maintenance, repair, upgrade and installation;
    Act as liaison with manufacturers to coordinate and authorize warranty repairs for both preventive and predictive maintenance;
  • Monitors acquisition and use of materials, consumables and animation media;
  • Maintains time, payroll, work orders, material, equipment and other departmental records and submit timely reports to Asst. Director of Broadcast, Media and AV Services to maximize departmental revenues;
  • Assists Asst. Director of Broadcast, Media and AV Services by recommending items to include in operating  and capital budgets;
  • Creates, assists and monitors engineering design requirements relating to equipment;
  • Supervises technical engineering personnel crewed to an event;
  • Maintain and update Autocad based drawing system as necessary or required.

Qualifications; 

  • To perform this job successfully, an individual must be able to perform each essential duty satisfactorily.  The employee should also have the following qualification:

Education and Experience:

  • High School Degree/GED required;
  • Bachelor’s Degree (B.A.) in related field preferred; Broadcast/Communications;
  • 10 to 15 years of component level engineering support at network, major market or large facility level;
  • Knowledge of; Sony Cameras, CCU’s, BBU’s, Riedel Comm System, Harris Router, EVS System, 360 Systems, Click Effects, Sony Production Switcher, Optocore Audio Network, Cobranet Audio Network, Familiarity with Stadium Truck Docks, NuComm, Wave Central ,Wireless ENG Cam Tx/Rx systems, HME’s, LAN, 802.11x, IPTV,  audio decoding and distribution equipment and broadband requirements including, Multicasting Solutions, Spreadsheet software , Word Processing and CAD software. Advanced knowledge of Internet Protocol TV, (IPTV) in HD and other formats and broadcast and ENG content capturing and distribution internal and enterprise solutions. Possess knowledge of digital and analog audio systems and distribution networks.

Competencies:

  • To perform the job successfully, the individual should demonstrate the following competencies:

Adaptability-

  • Able to implement immediate solutions for equipment that is not functioning properly;
  • Able to deal with frequent change, delays, or unexpected events;
  • Communicates change effectively;
  • Monitors transition and evaluates results.

Project Management-

  • Meets constant and important deadlines;
  • Develops project plans;
  • Coordinates projects;
  • Completes projects on time and budget;
  • Interfaces with 4 to 6 team representatives.

Innovation-

  • Displays original thinking and creativity;
  • Generates creative suggestions for improving work;
  • Develops alternative solutions;
  • Adapts new technology and strategy to changing solutions.

Technical Skills-

  • Asses own strengths and weaknesses;
  • Pursues training and development opportunities;
  • Strives to continuously build knowledge and skills;
  • Shares expertise with others.

Planning/Organizing-

  • Prioritizes and plans work activities;
  • Uses time efficiently;
  • Develops realistic action plans.

Safety and Security-

  • Observes safety and security procedures;
  • Reports potentially unsafe conditions;
  • Uses equipment and materials properly;                                    

Other Skills and Abilities:

  • Experience in all aspects of television: engineering, production,  post production, programming and traffic beneficial;
  • Knowledge of applicable electrical codes, SMPTE, AES and animation standards and regulations in both existing and emerging technologies;
  • Knowledge of basic concepts of component engineering relating to house audio distribution and the facility’s video replay equipment;
  • Knowledge of the tools, equipment and materials common to the analog and digital broadcasts trade, video creation and distribution, animation, scoring control and LED matrix trades.

Physical Demands:

  • Position requires the ability to walk, stand, sit, reach with hands or arms, twist, turn and climb stairs
  • Position requires the ability to lift and/or move 50 pounds.

Work Environment:

  • The noise level in the work environment is usually moderate, however, during events the noise level may be loud;
  • Employees must be able to work on evenings, weekends and holidays as required. 

Reasonable accommodations may be made to enable individuals with disabilities to perform the functions of this job.

Note: When you apply for this job online, you will be required to answer the following questions:

1. Do you possess the necessary experience is all aspects of television: engineeringt, production, post production, programming and traffic? Including applicable electrical codes?
2. Do you possess knowledge of tools, equipment and material common to the analog and digital broadcasts trade, video creation and distribution, animation, scoring control and LED matrix trades?
3. Do you hold a Bachelor's Degree in a related field; Broadcast/Communications?
4. Do you have a minimum of 10-15 years of component level engineering support at network, major market or large facility level?
5. Are you able to work the unique stadium schedule which will include nights, weekends and holidays as events dictate?


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Broadcast: Audio/Video Editing and Production
BucVision Producer - Tampa Bay Buccaneers (Tampa, FL)

This position reports to the Director of Events & Entertainment.

The BucVision Producer will be responsible for the conceptualization, planning, scripting, and execution of video production for all Buccaneers events including Game Days, Partner, and Community events at Raymond James Stadium.  Special focus on show development, event initiatives, all game day content, programming, and feature engagements.

 

The BucVision Producer will be responsible to:

  • Manage the development, planning, and execution of BucVision concepts and production
  • Lead the production of features, shows and/or projects through research, writing, and editing skills; produce and direct shoots as appropriate and obtain all necessary footage to incorporate
  • Guide from conception to completion the creation of content and produce project files for internal and external content creations
  • Oversee production teams including outside content providers (3rd party) initiatives. Convey vision, creative execution, feedback and prioritization of content
  • Translating high-level ideas from project owners and converting to production treatments
  • Design and develop game day and event show content organizing rundowns and script writing for BucVision  
  • Ability to update, revise, and edit graphics and features as needed
  • Support in various BucVision roles with the execution of in-game and events including the aptitude to call the live video shows
  • Consistently ideating and developing new and engaging ways on how to tell the team’s story through video presentation
  • Create and help build unique fan experiences and pioneering features utilizing the BucVision boards
  • Lead the in-game production shoots, editing, including integration of graphic elements, sound and music
  • Responsible for fact checking, research, rights, permissions, and brand/art video consistency for BucVision elements
  • Develop lines of communication and relationships with various departments including Football to capture additional assets and all organizational BucVision needs
  • Responsible for the layout and loading of content for all BucVision shows along with any necessary rehearsals or run-throughs
  • Uploading finished product to the team’s digital properties and social media profiles
  • Exporting finished product to multi-bit format for delivery to various devices at multiple speeds
  • Develop and utilize a post-production and complete asset management system
  • Serve as the video boards (BucVision) project manager and overall show producer
  • Work with supervisor(s) to maintain project budgets
  • Be an active participant in the Events & Entertainment department
  • All other duties as assigned and deemed necessary

Desired Knowledge/Skills/Job Qualifications:

  • Bachelor’s degree in Communications, Production, Broadcast Journalism, or Fine Arts is preferred
  • At least 5 years’ experience as an in venue game day producer with the NFL, MLB, NHL, NBA or D1 NCAA
  • Proficiency in operating Broadcast ENG cameras is required
  • Experience operating DSLRs is required
  • Expertise with Adobe Creative Suite (Premiere, After Effects, Cinema 4D, Illustrator, Photoshop) is required
  • Knowledge of Final Cut and Click Effects
  • Understanding of Ross Xpressions is preferable
  • High level of production and editing skills with hands-on knowledge of video displays and integrated audio
  • Capability of serving as a completely independent segment producer is required.
  • The Producer will be required to serve as director, writer, videographer and editor
  • Self-motivated with the ability to work well under pressure while working on multiple projects
  • Easily adaptable to change and quick turn-around times
  • Excellent written and verbal communication skills
  • Ability to effectively and professionally lead and be led
  • Adept to handle pressure and communicate split second decisions in a fast pace environment with professionalism and tact
  • Relentlessly looking for creative and innovative ways to enhance the overall show to engage fans at Buccaneers games and events
  • General understanding of NFL rules, teams, players and culture is required
  • Ability to work collaboratively with multiple departments, clients, vendors, and others to establish an effective workflow
  • Familiarity with advancing and emerging technologies and techniques, as well as all facets of social media
  • Proficiency in MS Office and/or & iOS/Mac environments and applications
  • Ability to work a flexible schedule, including nights, weekends, and holidays
  • Candidate must be able to travel without restrictions
  • Ability to meet the minimum requirements of the role with reasonable accommodations

Additional consideration:

Please include a link to your video reel in your resume or cover letter and in response to the question in the application. 

Reel must show that you can manage a project from start to finish and validates work experience.

How to Apply

All applicants must submit a complete application, resume and cover letter via Teamwork Online.  

PLEASE NOTE:  We ask that all communications in regard to this position be conducted via Teamwork.  Please ensure that your initial submission is complete.  No emails or phone calls please.

Note: When you apply for this job online, you will be required to answer the following questions:

1. Do you meet the minimum requirement of 5 years’ experience as an in venue game day producer (calling the show) with the NFL, MLB, NHL, NBA or D1 NCAA? Please respond Yes or No.
2. Have you concepted and designed a live stadium show? Please respond Yes or No.
3. What are your salary requirements?
4. Please paste the link to your reel here:


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